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Dear blog readers,
we left each other in August 2015 with a wish: that we would be able to count as soon as possible on adequate additional funding, on top of the ordinary Soprintendenza funds, for the project to rehabilitate the Domus Aurea. Continue reading
The parallel drawn by Sigmund Freud between psychoanalysis and archaeology, or more accurately between the work of the psychoanalyst and the archaeologist, is well known to all. Continue reading
On 1 April, the Superintendent Francesco Prosperetti and the Domus Aurea staff presented the first sector of the new Sustainable Park created on the Oppian Hill above the Domus Aurea to the press. Present among others were Rome’s Councillor for Culture Giovanna Marinelli who spoke words of appreciation and support for the project
As readers will know, this marks the end of the first test phase, on a scale of 1:1, of the Rehabilitation Project for the Monument, corresponding to the area of the Pilot Worksite.
The complex drainage system and waterproof barriers installed in this first basin will be subject to constant monitoring for several months to check thermo-hygrometric levels. In the meantime, for the staff it was a great pleasure and enormous satisfaction to see so many people strolling along the new paths and children playing among the flowerbeds and lemon trees.
We will later publish the brochure prepared by the staff when work ended and a short press release on the event.
We would like to call readers’ attention to an interesting article (in Italian) with the title “Dal Madeinitaly al BrandItalia: una storia italiana”. We would like to deal with this issue in greater depth by starting a discussion on the Domus Aurea Worksite as a possible symbol of a new way of understanding “Italian value” that is not a function “only” of its immense cultural heritage and its infinite potential for exploitation but, especially in the eyes of the world, of a coherent and complex set of cultural, technical, scientific and entrepreneurial skills that, by ensuring its conservation, can contribute to the development and recognition of our national identity.
These concepts were clearly expressed, quoting Article 9 of the Italian Constitution, by the Italian Constitutional Court in a ruling of 1986 referring to the “primacy” of aesthetic and cultural value, which cannot be subordinated to other values, including economic ones; rather, it notes that the economy itself should draw inspiration from culture as a mark of its Italian identity. The promotion of knowledge and the safeguard of artistic heritage are not therefore just one activity ‘among the many’ for the Italian Republic but are enshrined in the Constitution and Italy’s millennial identity as a fundamental, public and inalienable mission (drawn from a speech made in 2003 by the then President of the Republic C. A. Ciampi (http://www.quirinale.it/Discorsi/Discorso.asp?id=22144).
Can the Domus Aurea, thanks to our Worksite aimed at its physical and cultural rehabilitation, become a symbol of a new Italian Renaissance for the second time in its history? If the answer is yes, would it not be worth guaranteeing its completion at all costs, precisely to suggest a new path towards the genuine rehabilitation of our country?
Work to secure, protect and rehabilitate Room 34 is now complete.
The last few days have been cold and rainy. The size and solidity of the large hangar covering about 800 m2 of the Park on the Oppian Hill are striking: it looks like a place untouched by the bad weather. And it is.
The new year began with a novelty for the Domus Aurea and for our team: our Director, Fedora Filippi, is now enjoying her well-earned pension! Fedora, widely known for her enormous scholarly competence, has also been for us an example of honesty, dedication to her work, and tenacity in achieving results and objectives. To her we also owe the idea for this blog, allowing the general public to keep up-to-date on the work and projects of our diverse team, and its publication; we hope she will continue to work on it. We are all sure that Fedora will not abandon the Domus Aurea, but that, albeit in different ways, she will continue to offer her scholarly contribution to the works and projects that she helped to shape and that we all share. The new Director of the monument is Ida Sciortino, who has been a member of the Domus Aurea staff for over twenty years and who has a profound knowledge of the monument and the complex problems it faces; readers will already be familiar with her as the coordinator of this blog and the authors of several articles.
We do not want to say goodbye to Fedora but “see you soon”, wishing her every happiness in her new life, and to Ida a warm welcome and “good luck”!
We have worked hard, but are extremely pleased with the result. On Sunday morning before 9, the first visitors were already outside the gate. They didn’t have long to wait: after putting on their yellow hard hats they entered for the first visit at 9.15, accompanied by their guides. The same scene was repeated throughout Sunday: all the visits were sold out and many of the visitors were foreign. We have a feeling that our objective of opening the monument/worksite to the general public was a good idea. The visitors were certainly impressed by the Domus Aurea, for its magnificence and the fascination that in spite of everything it has exerted since the Renaissance, but they were also very attentive to the problems that we face during our rehabilitation work, explained along the route. Continue reading